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Cuánto dinero se llevó Lilit Manukyan, ‘La espía’ de ‘El Cazador’, en ‘Pasapalabra’
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Lilit Manukyan, la única concursante nacida fuera de España que ha ganado el premio final de Pasapalabra, logró llevarse 318.000 euros en 2014. A pesar de no dominar completamente el castellano, ha participado en otros programas como Saber y Ganar y actualmente forma parte de El Cazador.
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La emocionante sorpresa de unos amigos a una pareja el día de su boda
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Una pareja de británicos recibió una sorpresa muy especial en su boda, cuando sus amigos cantaron la famosa canción del musical Los Miserables, ‘I dreamed a dream’, que es su favorita. El emotivo momento se hizo viral en un vídeo compartido en Instagram.
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Tremendo enfado de Agatha Ruiz de la Prada en ‘Bailando con las estrellas’: se va ella “solita” para que no la expulsen
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El regreso de Bailando con las estrellas en Telecinco tuvo un comienzo inusual con la diseñadora de moda Agatha Ruiz de la Prada abandonando el programa en directo tras recibir una evaluación negativa del jurado. Su inusual salida del estudio provocó la reacción de algunos miembros del jurado y dejó claro que no tiene ilusión por regresar.
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Los 25 segundos de Sofía Vergara que han dado la vuelta al mundo tras lo ocurrido con Pablo Motos: “Ni siquiera saben quién eres”
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La polémica entrevista de Sofía Vergara con Pablo Motos en El Hormiguero ha generado gran revuelo mediático y viralizado un video de una entrevista pasada donde la actriz se defiende de otra situación similar. Su contundente respuesta ha sido alabada en redes sociales.
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El corte de Pepe Navarro a Pablo Motos en ‘El Hormiguero’: “¿Es necesario hacer esa pregunta?”
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Pepe Navarro, Mar Flores y Chenoa hablaron de su participación en El Desafío, confesando que decidieron concursar a pesar de sus dudas. Navarro compartió anécdotas y reveló que no sintió piedad por parte del programa, incluso sufriendo un accidente durante la grabación.
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Ana María Aldón revela el momento en el que abrió los ojos en su relación con Ortega Cano: “La vida son dos días y los quiero al 100%”
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Ana María Aldón se ha destacado en Gran Hermano Dúo 2, limando asperezas con su exrepresentante y entablando fuertes lazos con sus compañeros. Ha confesado su deseo de vivir la vida al máximo y apostar por su relación actual, dejando claro su compromiso.
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What ‘Blade Runner’ got right and wrong about 2019
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Last week, news broke that James Dean will star in a new movie-64 years after his death. A production company called Magic City got the rights to Dean’s image from the late actor’s estate and plans to bring him to the silver screen again thanks to the wonder (or terror) of CGI. Now, Dean, or the digitally resurrected version of Dean or whatever, will play the second lead in a Vietnam War movie called Finding Jack, with a living actor standing in as his voice.
Unsurprisingly, the announcement inspired a wave of immediate backlash around Hollywood.
Chris Evans called it “awful” and “shameful,” and Elijah Wood said, simply, “NOPE.” But it turns out the intense reaction was surprising to at least one person: Magic City’s Anton Ernst, the Finding Jack director.
Ernst told the Hollywood Reporter in a new interview that he’s gotten “positive feedback” about the movie and that the Dean estate has been “supportive,” saying it will inspire “a whole new generation of filmgoers to be aware of James Dean.” He didn’t see the overwhelming negativity coming. Per the Reporter:
Ernst spoke with The Hollywood Reporter about the criticisms on social media, saying he was “saddened” and “confused” over the overwhelmingly negative comments. “We don’t really understand it. We never intended for this to be a marketing gimmick,” he said.
He also brought up Carrie Fisher’s appearance in the new Star Wars as an example of a way this posthumous CGI work can be done well, apparently missing the difference between honoring Fisher’s legacy in a role she was already scheduled to play and plopping James Dean in some random war movie half a century after his death.
When discussing whether resurrecting Dean digitally crosses a line with regards to posthumous casting, Ernst explained, “Anyone that is brought back to life – you have to respect them.” He noted Fisher’s posthumous appearances in the Star Wars franchise, saying that if the actress had expressed never wanting to be in a film after her death, or if her legacy or that of the franchise could be “tarnished” because of her casting, “then that should be a line.”
“I think the line should be … you must always honor the deceased’s wishes and try to act in a way that is honorable and full of dignity,” Ernst said.
Again, this is extremely different, since Dean could never have stated he didn’t want to appear in a film after his death because, uh, how would he have imagined that was even a possibility-but whatever. Finding Jack is still headed into production with an expected release on November 11, 2020, whether we like it or not.
Post $content must be a json string like this (the following keys are just examples, can be any word and number of words):
{“short”: “news length shorts…”, “medium”: “news length medium…”, “large”: “news length large…”}
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Will Ferrell’s ‘SNL’ short Is the most depressing party song ever
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Last week, news broke that James Dean will star in a new movie-64 years after his death. A production company called Magic City got the rights to Dean’s image from the late actor’s estate and plans to bring him to the silver screen again thanks to the wonder (or terror) of CGI. Now, Dean, or the digitally resurrected version of Dean or whatever, will play the second lead in a Vietnam War movie called Finding Jack, with a living actor standing in as his voice.
Unsurprisingly, the announcement inspired a wave of immediate backlash around Hollywood.
Chris Evans called it “awful” and “shameful,” and Elijah Wood said, simply, “NOPE.” But it turns out the intense reaction was surprising to at least one person: Magic City’s Anton Ernst, the Finding Jack director.
Ernst told the Hollywood Reporter in a new interview that he’s gotten “positive feedback” about the movie and that the Dean estate has been “supportive,” saying it will inspire “a whole new generation of filmgoers to be aware of James Dean.” He didn’t see the overwhelming negativity coming. Per the Reporter:
Ernst spoke with The Hollywood Reporter about the criticisms on social media, saying he was “saddened” and “confused” over the overwhelmingly negative comments. “We don’t really understand it. We never intended for this to be a marketing gimmick,” he said.
He also brought up Carrie Fisher’s appearance in the new Star Wars as an example of a way this posthumous CGI work can be done well, apparently missing the difference between honoring Fisher’s legacy in a role she was already scheduled to play and plopping James Dean in some random war movie half a century after his death.
When discussing whether resurrecting Dean digitally crosses a line with regards to posthumous casting, Ernst explained, “Anyone that is brought back to life – you have to respect them.” He noted Fisher’s posthumous appearances in the Star Wars franchise, saying that if the actress had expressed never wanting to be in a film after her death, or if her legacy or that of the franchise could be “tarnished” because of her casting, “then that should be a line.”
“I think the line should be … you must always honor the deceased’s wishes and try to act in a way that is honorable and full of dignity,” Ernst said.
Again, this is extremely different, since Dean could never have stated he didn’t want to appear in a film after his death because, uh, how would he have imagined that was even a possibility-but whatever. Finding Jack is still headed into production with an expected release on November 11, 2020, whether we like it or not.
Post $content must be a json string like this (the following keys are just examples, can be any word and number of words):
{“short”: “news length shorts…”, “medium”: “news length medium…”, “large”: “news length large…”}
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‘Heathers’ is still the best dark comedy about high school hell
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“Syntax error”
Post $content:
Last week, news broke that James Dean will star in a new movie-64 years after his death. A production company called Magic City got the rights to Dean’s image from the late actor’s estate and plans to bring him to the silver screen again thanks to the wonder (or terror) of CGI. Now, Dean, or the digitally resurrected version of Dean or whatever, will play the second lead in a Vietnam War movie called Finding Jack, with a living actor standing in as his voice.
Unsurprisingly, the announcement inspired a wave of immediate backlash around Hollywood.
Chris Evans called it “awful” and “shameful,” and Elijah Wood said, simply, “NOPE.” But it turns out the intense reaction was surprising to at least one person: Magic City’s Anton Ernst, the Finding Jack director.
Ernst told the Hollywood Reporter in a new interview that he’s gotten “positive feedback” about the movie and that the Dean estate has been “supportive,” saying it will inspire “a whole new generation of filmgoers to be aware of James Dean.” He didn’t see the overwhelming negativity coming. Per the Reporter:
Ernst spoke with The Hollywood Reporter about the criticisms on social media, saying he was “saddened” and “confused” over the overwhelmingly negative comments. “We don’t really understand it. We never intended for this to be a marketing gimmick,” he said.
He also brought up Carrie Fisher’s appearance in the new Star Wars as an example of a way this posthumous CGI work can be done well, apparently missing the difference between honoring Fisher’s legacy in a role she was already scheduled to play and plopping James Dean in some random war movie half a century after his death.
When discussing whether resurrecting Dean digitally crosses a line with regards to posthumous casting, Ernst explained, “Anyone that is brought back to life – you have to respect them.” He noted Fisher’s posthumous appearances in the Star Wars franchise, saying that if the actress had expressed never wanting to be in a film after her death, or if her legacy or that of the franchise could be “tarnished” because of her casting, “then that should be a line.”
“I think the line should be … you must always honor the deceased’s wishes and try to act in a way that is honorable and full of dignity,” Ernst said.
Again, this is extremely different, since Dean could never have stated he didn’t want to appear in a film after his death because, uh, how would he have imagined that was even a possibility-but whatever. Finding Jack is still headed into production with an expected release on November 11, 2020, whether we like it or not.
Post $content must be a json string like this (the following keys are just examples, can be any word and number of words):
{“short”: “news length shorts…”, “medium”: “news length medium…”, “large”: “news length large…”}
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These striking photos capture the future of human flight
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“Syntax error”
Post $content:
Last week, news broke that James Dean will star in a new movie-64 years after his death. A production company called Magic City got the rights to Dean’s image from the late actor’s estate and plans to bring him to the silver screen again thanks to the wonder (or terror) of CGI. Now, Dean, or the digitally resurrected version of Dean or whatever, will play the second lead in a Vietnam War movie called Finding Jack, with a living actor standing in as his voice.
Unsurprisingly, the announcement inspired a wave of immediate backlash around Hollywood.
Chris Evans called it “awful” and “shameful,” and Elijah Wood said, simply, “NOPE.” But it turns out the intense reaction was surprising to at least one person: Magic City’s Anton Ernst, the Finding Jack director.
Ernst told the Hollywood Reporter in a new interview that he’s gotten “positive feedback” about the movie and that the Dean estate has been “supportive,” saying it will inspire “a whole new generation of filmgoers to be aware of James Dean.” He didn’t see the overwhelming negativity coming. Per the Reporter:
Ernst spoke with The Hollywood Reporter about the criticisms on social media, saying he was “saddened” and “confused” over the overwhelmingly negative comments. “We don’t really understand it. We never intended for this to be a marketing gimmick,” he said.
He also brought up Carrie Fisher’s appearance in the new Star Wars as an example of a way this posthumous CGI work can be done well, apparently missing the difference between honoring Fisher’s legacy in a role she was already scheduled to play and plopping James Dean in some random war movie half a century after his death.
When discussing whether resurrecting Dean digitally crosses a line with regards to posthumous casting, Ernst explained, “Anyone that is brought back to life – you have to respect them.” He noted Fisher’s posthumous appearances in the Star Wars franchise, saying that if the actress had expressed never wanting to be in a film after her death, or if her legacy or that of the franchise could be “tarnished” because of her casting, “then that should be a line.”
“I think the line should be … you must always honor the deceased’s wishes and try to act in a way that is honorable and full of dignity,” Ernst said.
Again, this is extremely different, since Dean could never have stated he didn’t want to appear in a film after his death because, uh, how would he have imagined that was even a possibility-but whatever. Finding Jack is still headed into production with an expected release on November 11, 2020, whether we like it or not.
Post $content must be a json string like this (the following keys are just examples, can be any word and number of words):
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