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Los mejores memes de la final del Benidorm Fest 2025: “Nobita cuando Doraemon le daba el gorrocóptero”
La final del Benidorm Fest se destacó por una combinación de actuaciones musicales y un fuerte componente humorístico que inundó las redes sociales.
La final del Benidorm Fest se destacó por una combinación de actuaciones musicales y un fuerte componente humorístico que inundó las redes sociales.
El evento se transformó en un fenómeno cómico, donde los usuarios de X (Twitter) crearon memes y comentarios graciosos, además de disfrutar de las actuaciones, incluyendo la triunfadora Melody, quien recibió aplausos y risas del público.
La final del Benidorm Fest se destacó por una combinación de actuaciones musicales y un fuerte componente humorístico que inundó las redes sociales.
El evento se transformó en un fenómeno cómico, donde los usuarios de X (Twitter) crearon memes y comentarios graciosos, además de disfrutar de las actuaciones, incluyendo la triunfadora Melody, quien recibió aplausos y risas del público.
Desde antes de comenzar la gala, el humor ya estaba presente, destacándose los comentarios irónicos y sarcásticos, así como las intervenciones de Inés Hernand, que se convirtieron en algunos de los favoritos entre los internautas. Esto demuestra cómo el Benidorm Fest no solo fue un espectáculo musical, sino también un evento cultural significativo.
La final del Benidorm Fest se destacó por una combinación de actuaciones musicales y un fuerte componente humorístico que inundó las redes sociales.
El evento se transformó en un fenómeno cómico, donde los usuarios de X (Twitter) crearon memes y comentarios graciosos, además de disfrutar de las actuaciones, incluyendo la triunfadora Melody, quien recibió aplausos y risas del público.
Desde antes de comenzar la gala, el humor ya estaba presente, destacándose los comentarios irónicos y sarcásticos, así como las intervenciones de Inés Hernand, que se convirtieron en algunos de los favoritos entre los internautas. Esto demuestra cómo el Benidorm Fest no solo fue un espectáculo musical, sino también un evento cultural significativo.
La fusión de música y humor evidencia una tendencia creciente en la relación entre entretenimiento y cultura popular, donde el humor digital juega un papel crucial en eventos en vivo y su recepción online.
La final del Benidorm Fest se destacó por una combinación de actuaciones musicales y un fuerte componente humorístico que inundó las redes sociales.
El evento se transformó en un fenómeno cómico, donde los usuarios de X (Twitter) crearon memes y comentarios graciosos, además de disfrutar de las actuaciones, incluyendo la triunfadora Melody, quien recibió aplausos y risas del público.
Desde antes de comenzar la gala, el humor ya estaba presente, destacándose los comentarios irónicos y sarcásticos, así como las intervenciones de Inés Hernand, que se convirtieron en algunos de los favoritos entre los internautas. Esto demuestra cómo el Benidorm Fest no solo fue un espectáculo musical, sino también un evento cultural significativo.
La fusión de música y humor evidencia una tendencia creciente en la relación entre entretenimiento y cultura popular, donde el humor digital juega un papel crucial en eventos en vivo y su recepción online.
Este fenómeno pone de relieve cómo la cultura digital puede enriquecer las experiencias en vivo, reflejando la creatividad de los participantes y la audiencia pero también moldeando la forma en que estos eventos son percibidos y compartidos en el ámbito social.
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Melody se convierte en la representante de España para Eurovisión 2025 tras ganar el Benidorm Fest
Melody ha sido seleccionada como la representante de España en Eurovisión 2025 tras su victoria en el Benidorm Fest.
Melody ha sido seleccionada como la representante de España en Eurovisión 2025 tras su victoria en el Benidorm Fest.
A sus 34 años, Melody, conocida por “El baile del gorila”, presentará “Esa diva”, una canción que promueve la igualdad. En su actuación ganó el apoyo del público logrando un 39% de los votos e impresionó al jurado con su talento.
Melody ha sido seleccionada como la representante de España en Eurovisión 2025 tras su victoria en el Benidorm Fest.
A sus 34 años, Melody, conocida por “El baile del gorila”, presentará “Esa diva”, una canción que promueve la igualdad. En su actuación ganó el apoyo del público logrando un 39% de los votos e impresionó al jurado con su talento.
Durante el festival, Melody superó varios desafíos técnicos, destacándose no solo por su habilidad vocal, sino también por su considerable experiencia escénica que ha acumulado a lo largo de su carrera.
Melody ha sido seleccionada como la representante de España en Eurovisión 2025 tras su victoria en el Benidorm Fest.
A sus 34 años, Melody, conocida por “El baile del gorila”, presentará “Esa diva”, una canción que promueve la igualdad. En su actuación ganó el apoyo del público logrando un 39% de los votos e impresionó al jurado con su talento.
Durante el festival, Melody superó varios desafíos técnicos, destacándose no solo por su habilidad vocal, sino también por su considerable experiencia escénica que ha acumulado a lo largo de su carrera.
La elección de Melody ha generado una gran expectación entre sus seguidores, quienes confían en que su participación en Eurovisión lleve a España a una posición destacada en el concurso.
Melody ha sido seleccionada como la representante de España en Eurovisión 2025 tras su victoria en el Benidorm Fest.
A sus 34 años, Melody, conocida por “El baile del gorila”, presentará “Esa diva”, una canción que promueve la igualdad. En su actuación ganó el apoyo del público logrando un 39% de los votos e impresionó al jurado con su talento.
Durante el festival, Melody superó varios desafíos técnicos, destacándose no solo por su habilidad vocal, sino también por su considerable experiencia escénica que ha acumulado a lo largo de su carrera.
La elección de Melody ha generado una gran expectación entre sus seguidores, quienes confían en que su participación en Eurovisión lleve a España a una posición destacada en el concurso.
Esta victoria no solo es un hito en su carrera, sino que también simboliza una nueva etapa después de su intento en 2009, posicionándola como una figura que mezcla tradición y modernidad en la música española.
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Bad Gyal: “Les deseo a todas las mujeres del mundo que disfruten de su sexualidad y que se gocen a sí mismas”
Bad Gyal: artista auténtica que empodera a mujeres a celebrar su sexualidad.
Bad Gyal promueve el empoderamiento femenino y la autoexpresión en su música, y su nuevo documental revela su proceso creativo y luchas personales.
Bad Gyal es una artista que desafía normas sociales y promueve el empoderamiento femenino a través de su música. Su nuevo documental ofrece una visión íntima de su proceso creativo y los retos que enfrenta, enfatizando la importancia de la autoexpresión y el bienestar emocional frente a las críticas. Busca visibilizar la realidad detrás de su carrera y transmitir mensajes de aceptación y diversidad.
Bad Gyal se define como una artista auténtica que expresa su individualidad en un mundo musical predominado por lo prefabricado. Sus letras tocan temas de sexualidad y empoderamiento femenino, desafiando perspectivas conservadoras. En su nuevo documental, muestra su proceso creativo y las dificultades que enfrenta, enfatizando la importancia de la visibilidad tras el espectáculo. A pesar de las críticas en redes sociales, prioriza su salud mental y promueve la autoexpresión como forma de empoderamiento. Aunque reconoce el progreso social, también señala la persistencia de actitudes retrógradas, usando su plataforma para difundir mensajes de aceptación y diversidad.
Bad Gyal se describe como una artista auténtica y valiente, que no teme expresar su individualidad en una industria musical llena de productos prefabricados. Sus letras abordan temas como la sexualidad y el empoderamiento femenino, reivindicando el derecho de las mujeres a disfrutar plenamente de su sexualidad. A través de su música y su presencia en el escenario, desafía las visiones conservadoras y busca simbolizar una ruptura con lo establecido.
Su nuevo documental ofrece una perspectiva íntima de su proceso creativo, mostrando tanto los momentos brillantes como las dificultades que enfrenta en su carrera. Aunque al principio le preocupaba la exposición pública, su conexión con el director David Camarero hizo que la experiencia fuera gratificante.
Bad Gyal resalta la importancia de visibilizar la realidad tras el espectáculo, revelando el esfuerzo y los momentos de vulnerabilidad que conlleva ser artista. Además, reconoce las luchas dentro del mundo empresarial de la música, incluyendo el manejo de la frustración y el desánimo. Trata de mantener su bienestar emocional frente a las críticas y el juicio en redes sociales, priorizando su salud mental por encima de las opiniones negativas.
A lo largo de su trayectoria, Bad Gyal ha promovido la autoexpresión y la libertad, desafiando normas sociales bajo la premisa de que es esencial para el empoderamiento. Aunque consciente de los avances sociales, también subraya la persistencia de actitudes retrógradas en algunos ámbitos. Se siente agradecida de poder contribuir a la conversación cultural, utilizando su plataforma para transmitir mensajes positivos de aceptación y diversidad. Aclara que no se ve como una revolucionaria, sino como una artista comprometida con sus creencias y el deseo de que todas las mujeres celebren su sexualidad sin restricciones.
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Billboard wants artists to stop gaming the charts with album-merch bundles
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“Syntax error”
Post $content:
Last week, news broke that James Dean will star in a new movie-64 years after his death. A production company called Magic City got the rights to Dean’s image from the late actor’s estate and plans to bring him to the silver screen again thanks to the wonder (or terror) of CGI. Now, Dean, or the digitally resurrected version of Dean or whatever, will play the second lead in a Vietnam War movie called Finding Jack, with a living actor standing in as his voice.
Unsurprisingly, the announcement inspired a wave of immediate backlash around Hollywood.
Chris Evans called it “awful” and “shameful,” and Elijah Wood said, simply, “NOPE.” But it turns out the intense reaction was surprising to at least one person: Magic City’s Anton Ernst, the Finding Jack director.
Ernst told the Hollywood Reporter in a new interview that he’s gotten “positive feedback” about the movie and that the Dean estate has been “supportive,” saying it will inspire “a whole new generation of filmgoers to be aware of James Dean.” He didn’t see the overwhelming negativity coming. Per the Reporter:
Ernst spoke with The Hollywood Reporter about the criticisms on social media, saying he was “saddened” and “confused” over the overwhelmingly negative comments. “We don’t really understand it. We never intended for this to be a marketing gimmick,” he said.
He also brought up Carrie Fisher’s appearance in the new Star Wars as an example of a way this posthumous CGI work can be done well, apparently missing the difference between honoring Fisher’s legacy in a role she was already scheduled to play and plopping James Dean in some random war movie half a century after his death.
When discussing whether resurrecting Dean digitally crosses a line with regards to posthumous casting, Ernst explained, “Anyone that is brought back to life – you have to respect them.” He noted Fisher’s posthumous appearances in the Star Wars franchise, saying that if the actress had expressed never wanting to be in a film after her death, or if her legacy or that of the franchise could be “tarnished” because of her casting, “then that should be a line.”
“I think the line should be … you must always honor the deceased’s wishes and try to act in a way that is honorable and full of dignity,” Ernst said.
Again, this is extremely different, since Dean could never have stated he didn’t want to appear in a film after his death because, uh, how would he have imagined that was even a possibility-but whatever. Finding Jack is still headed into production with an expected release on November 11, 2020, whether we like it or not.
Post $content must be a json string like this (the following keys are just examples, can be any word and number of words):
{“short”: “news length shorts…”, “medium”: “news length medium…”, “large”: “news length large…”}
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The 2020 grammy nominations are really trying to be relevant
ERROR: Exception parsing $content:
“Syntax error”
Post $content:
Last week, news broke that James Dean will star in a new movie-64 years after his death. A production company called Magic City got the rights to Dean’s image from the late actor’s estate and plans to bring him to the silver screen again thanks to the wonder (or terror) of CGI. Now, Dean, or the digitally resurrected version of Dean or whatever, will play the second lead in a Vietnam War movie called Finding Jack, with a living actor standing in as his voice.
Unsurprisingly, the announcement inspired a wave of immediate backlash around Hollywood.
Chris Evans called it “awful” and “shameful,” and Elijah Wood said, simply, “NOPE.” But it turns out the intense reaction was surprising to at least one person: Magic City’s Anton Ernst, the Finding Jack director.
Ernst told the Hollywood Reporter in a new interview that he’s gotten “positive feedback” about the movie and that the Dean estate has been “supportive,” saying it will inspire “a whole new generation of filmgoers to be aware of James Dean.” He didn’t see the overwhelming negativity coming. Per the Reporter:
Ernst spoke with The Hollywood Reporter about the criticisms on social media, saying he was “saddened” and “confused” over the overwhelmingly negative comments. “We don’t really understand it. We never intended for this to be a marketing gimmick,” he said.
He also brought up Carrie Fisher’s appearance in the new Star Wars as an example of a way this posthumous CGI work can be done well, apparently missing the difference between honoring Fisher’s legacy in a role she was already scheduled to play and plopping James Dean in some random war movie half a century after his death.
When discussing whether resurrecting Dean digitally crosses a line with regards to posthumous casting, Ernst explained, “Anyone that is brought back to life – you have to respect them.” He noted Fisher’s posthumous appearances in the Star Wars franchise, saying that if the actress had expressed never wanting to be in a film after her death, or if her legacy or that of the franchise could be “tarnished” because of her casting, “then that should be a line.”
“I think the line should be … you must always honor the deceased’s wishes and try to act in a way that is honorable and full of dignity,” Ernst said.
Again, this is extremely different, since Dean could never have stated he didn’t want to appear in a film after his death because, uh, how would he have imagined that was even a possibility-but whatever. Finding Jack is still headed into production with an expected release on November 11, 2020, whether we like it or not.
Post $content must be a json string like this (the following keys are just examples, can be any word and number of words):
{“short”: “news length shorts…”, “medium”: “news length medium…”, “large”: “news length large…”}
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Noel Gallagher says Liam’s tweets are the reason Oasis won’t reunite
ERROR: Exception parsing $content:
“Syntax error”
Post $content:
Last week, news broke that James Dean will star in a new movie-64 years after his death. A production company called Magic City got the rights to Dean’s image from the late actor’s estate and plans to bring him to the silver screen again thanks to the wonder (or terror) of CGI. Now, Dean, or the digitally resurrected version of Dean or whatever, will play the second lead in a Vietnam War movie called Finding Jack, with a living actor standing in as his voice.
Unsurprisingly, the announcement inspired a wave of immediate backlash around Hollywood.
Chris Evans called it “awful” and “shameful,” and Elijah Wood said, simply, “NOPE.” But it turns out the intense reaction was surprising to at least one person: Magic City’s Anton Ernst, the Finding Jack director.
Ernst told the Hollywood Reporter in a new interview that he’s gotten “positive feedback” about the movie and that the Dean estate has been “supportive,” saying it will inspire “a whole new generation of filmgoers to be aware of James Dean.” He didn’t see the overwhelming negativity coming. Per the Reporter:
Ernst spoke with The Hollywood Reporter about the criticisms on social media, saying he was “saddened” and “confused” over the overwhelmingly negative comments. “We don’t really understand it. We never intended for this to be a marketing gimmick,” he said.
He also brought up Carrie Fisher’s appearance in the new Star Wars as an example of a way this posthumous CGI work can be done well, apparently missing the difference between honoring Fisher’s legacy in a role she was already scheduled to play and plopping James Dean in some random war movie half a century after his death.
When discussing whether resurrecting Dean digitally crosses a line with regards to posthumous casting, Ernst explained, “Anyone that is brought back to life – you have to respect them.” He noted Fisher’s posthumous appearances in the Star Wars franchise, saying that if the actress had expressed never wanting to be in a film after her death, or if her legacy or that of the franchise could be “tarnished” because of her casting, “then that should be a line.”
“I think the line should be … you must always honor the deceased’s wishes and try to act in a way that is honorable and full of dignity,” Ernst said.
Again, this is extremely different, since Dean could never have stated he didn’t want to appear in a film after his death because, uh, how would he have imagined that was even a possibility-but whatever. Finding Jack is still headed into production with an expected release on November 11, 2020, whether we like it or not.
Post $content must be a json string like this (the following keys are just examples, can be any word and number of words):
{“short”: “news length shorts…”, “medium”: “news length medium…”, “large”: “news length large…”}
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Exploring the origins of punk across America with Kid Karate and Bushmills
ERROR: Exception parsing $content:
“Syntax error”
Post $content:
Last week, news broke that James Dean will star in a new movie-64 years after his death. A production company called Magic City got the rights to Dean’s image from the late actor’s estate and plans to bring him to the silver screen again thanks to the wonder (or terror) of CGI. Now, Dean, or the digitally resurrected version of Dean or whatever, will play the second lead in a Vietnam War movie called Finding Jack, with a living actor standing in as his voice.
Unsurprisingly, the announcement inspired a wave of immediate backlash around Hollywood.
Chris Evans called it “awful” and “shameful,” and Elijah Wood said, simply, “NOPE.” But it turns out the intense reaction was surprising to at least one person: Magic City’s Anton Ernst, the Finding Jack director.
Ernst told the Hollywood Reporter in a new interview that he’s gotten “positive feedback” about the movie and that the Dean estate has been “supportive,” saying it will inspire “a whole new generation of filmgoers to be aware of James Dean.” He didn’t see the overwhelming negativity coming. Per the Reporter:
Ernst spoke with The Hollywood Reporter about the criticisms on social media, saying he was “saddened” and “confused” over the overwhelmingly negative comments. “We don’t really understand it. We never intended for this to be a marketing gimmick,” he said.
He also brought up Carrie Fisher’s appearance in the new Star Wars as an example of a way this posthumous CGI work can be done well, apparently missing the difference between honoring Fisher’s legacy in a role she was already scheduled to play and plopping James Dean in some random war movie half a century after his death.
When discussing whether resurrecting Dean digitally crosses a line with regards to posthumous casting, Ernst explained, “Anyone that is brought back to life – you have to respect them.” He noted Fisher’s posthumous appearances in the Star Wars franchise, saying that if the actress had expressed never wanting to be in a film after her death, or if her legacy or that of the franchise could be “tarnished” because of her casting, “then that should be a line.”
“I think the line should be … you must always honor the deceased’s wishes and try to act in a way that is honorable and full of dignity,” Ernst said.
Again, this is extremely different, since Dean could never have stated he didn’t want to appear in a film after his death because, uh, how would he have imagined that was even a possibility-but whatever. Finding Jack is still headed into production with an expected release on November 11, 2020, whether we like it or not.
Post $content must be a json string like this (the following keys are just examples, can be any word and number of words):
{“short”: “news length shorts…”, “medium”: “news length medium…”, “large”: “news length large…”}
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How Omni accidentally became the best post-punk band in America
ERROR: Exception parsing $content:
“Syntax error”
Post $content:
Last week, news broke that James Dean will star in a new movie-64 years after his death. A production company called Magic City got the rights to Dean’s image from the late actor’s estate and plans to bring him to the silver screen again thanks to the wonder (or terror) of CGI. Now, Dean, or the digitally resurrected version of Dean or whatever, will play the second lead in a Vietnam War movie called Finding Jack, with a living actor standing in as his voice.
Unsurprisingly, the announcement inspired a wave of immediate backlash around Hollywood.
Chris Evans called it “awful” and “shameful,” and Elijah Wood said, simply, “NOPE.” But it turns out the intense reaction was surprising to at least one person: Magic City’s Anton Ernst, the Finding Jack director.
Ernst told the Hollywood Reporter in a new interview that he’s gotten “positive feedback” about the movie and that the Dean estate has been “supportive,” saying it will inspire “a whole new generation of filmgoers to be aware of James Dean.” He didn’t see the overwhelming negativity coming. Per the Reporter:
Ernst spoke with The Hollywood Reporter about the criticisms on social media, saying he was “saddened” and “confused” over the overwhelmingly negative comments. “We don’t really understand it. We never intended for this to be a marketing gimmick,” he said.
He also brought up Carrie Fisher’s appearance in the new Star Wars as an example of a way this posthumous CGI work can be done well, apparently missing the difference between honoring Fisher’s legacy in a role she was already scheduled to play and plopping James Dean in some random war movie half a century after his death.
When discussing whether resurrecting Dean digitally crosses a line with regards to posthumous casting, Ernst explained, “Anyone that is brought back to life – you have to respect them.” He noted Fisher’s posthumous appearances in the Star Wars franchise, saying that if the actress had expressed never wanting to be in a film after her death, or if her legacy or that of the franchise could be “tarnished” because of her casting, “then that should be a line.”
“I think the line should be … you must always honor the deceased’s wishes and try to act in a way that is honorable and full of dignity,” Ernst said.
Again, this is extremely different, since Dean could never have stated he didn’t want to appear in a film after his death because, uh, how would he have imagined that was even a possibility-but whatever. Finding Jack is still headed into production with an expected release on November 11, 2020, whether we like it or not.
Post $content must be a json string like this (the following keys are just examples, can be any word and number of words):
{“short”: “news length shorts…”, “medium”: “news length medium…”, “large”: “news length large…”}
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Drew Banga wants to spark the Bay Area’s rap resurgence
ERROR: Exception parsing $content:
“Syntax error”
Post $content:
Last week, news broke that James Dean will star in a new movie-64 years after his death. A production company called Magic City got the rights to Dean’s image from the late actor’s estate and plans to bring him to the silver screen again thanks to the wonder (or terror) of CGI. Now, Dean, or the digitally resurrected version of Dean or whatever, will play the second lead in a Vietnam War movie called Finding Jack, with a living actor standing in as his voice.
Unsurprisingly, the announcement inspired a wave of immediate backlash around Hollywood.
Chris Evans called it “awful” and “shameful,” and Elijah Wood said, simply, “NOPE.” But it turns out the intense reaction was surprising to at least one person: Magic City’s Anton Ernst, the Finding Jack director.
Ernst told the Hollywood Reporter in a new interview that he’s gotten “positive feedback” about the movie and that the Dean estate has been “supportive,” saying it will inspire “a whole new generation of filmgoers to be aware of James Dean.” He didn’t see the overwhelming negativity coming. Per the Reporter:
Ernst spoke with The Hollywood Reporter about the criticisms on social media, saying he was “saddened” and “confused” over the overwhelmingly negative comments. “We don’t really understand it. We never intended for this to be a marketing gimmick,” he said.
He also brought up Carrie Fisher’s appearance in the new Star Wars as an example of a way this posthumous CGI work can be done well, apparently missing the difference between honoring Fisher’s legacy in a role she was already scheduled to play and plopping James Dean in some random war movie half a century after his death.
When discussing whether resurrecting Dean digitally crosses a line with regards to posthumous casting, Ernst explained, “Anyone that is brought back to life – you have to respect them.” He noted Fisher’s posthumous appearances in the Star Wars franchise, saying that if the actress had expressed never wanting to be in a film after her death, or if her legacy or that of the franchise could be “tarnished” because of her casting, “then that should be a line.”
“I think the line should be … you must always honor the deceased’s wishes and try to act in a way that is honorable and full of dignity,” Ernst said.
Again, this is extremely different, since Dean could never have stated he didn’t want to appear in a film after his death because, uh, how would he have imagined that was even a possibility-but whatever. Finding Jack is still headed into production with an expected release on November 11, 2020, whether we like it or not.
Post $content must be a json string like this (the following keys are just examples, can be any word and number of words):
{“short”: “news length shorts…”, “medium”: “news length medium…”, “large”: “news length large…”}