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El CERN propone la construcción del ‘Futuro Colisionador Circular’ para explorar los secretos del universo
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El CERN en Suiza ha presentado un estudio a favor del Futuro Colisionador Circular (FCC), un proyecto ambicioso que busca descubrir nuevas partículas y revolucionar la física. Con un costo estimado de 14 mil millones de euros, el FCC sería tres veces más grande que el LHC y se ubicaría en la frontera entre Suiza y Francia. Esta nueva máquina, con una circunferencia de 100 km, se propone como sucesora del LHC y tendría la capacidad de investigar la materia oscura. El proyecto se dividiría en dos fases, la primera comenzando en 2033, con el objetivo de estudiar la energía oscura, entre otros propósitos. La votación para autorizar su construcción se llevará a cabo en 2028, aunque el CERN ha contemplado un plan B con un Colisionador Lineal Compacto en caso de rechazo. La competencia con proyectos similares en otros países como Japón y China es una realidad, y los expertos subrayan la importancia de mantenerse competitivos en esta carrera científica global.
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El CERN propone la construcción del ‘Futuro Colisionador Circular’ para explorar los secretos del universo
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El CERN en Suiza ha presentado un estudio a favor del Futuro Colisionador Circular (FCC), un proyecto ambicioso que busca descubrir nuevas partículas y revolucionar la física. Con un costo estimado de 14 mil millones de euros, el FCC sería tres veces más grande que el LHC y se ubicaría en la frontera entre Suiza y Francia. Esta nueva máquina, con una circunferencia de 100 km, se propone como sucesora del LHC y tendría la capacidad de investigar la materia oscura. El proyecto se dividiría en dos fases, la primera comenzando en 2033, con el objetivo de estudiar la energía oscura, entre otros propósitos. La votación para autorizar su construcción se llevará a cabo en 2028, aunque el CERN ha contemplado un plan B con un Colisionador Lineal Compacto en caso de rechazo. La competencia con proyectos similares en otros países como Japón y China es una realidad, y los expertos subrayan la importancia de mantenerse competitivos en esta carrera científica global.
Post $content must be a json string like this (the following keys are just examples, can be any word and number of words):
{“short”: “news length shorts…”, “medium”: “news length medium…”, “large”: “news length large…”}
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El CERN apuesta por construir el ‘Futuro Colisionador Circular’, la máquina que desvelará los misterios del universo
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Investigadores del CERN presentaron un estudio para construir el Futuro Colisionador Circular, un supercolisionador que busca descubrir nuevas partículas y revolucionar la física. El proyecto, que operaría con haces de hadrones a energías de hasta 100 TeV, enfrenta críticas por su alto coste.
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El CERN apuesta por construir el ‘Futuro Colisionador Circular’, la máquina que desvelará los misterios del universo
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Investigadores del CERN presentan estudio para construir un supercolisionador que revolucionaría la física y ayudaría a comprender el universo, con un presupuesto de 14 mil millones de euros. El FCC aspira a descubrir la materia oscura y dar respuestas a incógnitas fundamentales del universo.
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{“short”: “news length shorts…”, “medium”: “news length medium…”, “large”: “news length large…”}
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El CERN apuesta por construir el ‘Futuro Colisionador Circular’, la máquina que desvelará los misterios del universo
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Investigadores del CERN presentan estudio para construir un supercolisionador que revolucionaría la física y ayudaría a comprender el universo, con un presupuesto de 14 mil millones de euros. El FCC aspira a descubrir la materia oscura y dar respuestas a incógnitas fundamentales del universo.
Post $content must be a json string like this (the following keys are just examples, can be any word and number of words):
{“short”: “news length shorts…”, “medium”: “news length medium…”, “large”: “news length large…”}
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El CERN apuesta por construir el ‘Futuro Colisionador Circular’, la máquina que desvelará los misterios del universo
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Investigadores del CERN en Suiza presentaron un estudio para construir el Futuro Colisionador Circular, un supercolisionador tres veces más grande que el LHC, con el objetivo de descubrir nuevas partículas y comprender mejor el universo. El proyecto se centra en la viabilidad, impacto geológico y urbano, con un presupuesto de 14.000 millones de euros.
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El truco para tener más de 3.000 canales TDT de todo el mundo gratis, de forma legal y sin instalar nada
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Worldtvmobile es una página web que permite ver 3.000 canales de todo el mundo, de forma gratuita y legal, sin necesidad de instalar programas o aplicaciones.
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Llega un importante cambio que afectará a todos los televisores a partir del 14 de febrero
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A partir del 14 de febrero, la Televisión Digital Terrestre en España trasmitirá únicamente en alta definición (HD), desapareciendo los canales en calidad estándar (SD) para favorecer la transmisión de contenido en 4K y expandir las redes 5G.
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Smart CCTV networks are driving an AI-powered apartheid in South Africa
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Last week, news broke that James Dean will star in a new movie-64 years after his death. A production company called Magic City got the rights to Dean’s image from the late actor’s estate and plans to bring him to the silver screen again thanks to the wonder (or terror) of CGI. Now, Dean, or the digitally resurrected version of Dean or whatever, will play the second lead in a Vietnam War movie called Finding Jack, with a living actor standing in as his voice.
Unsurprisingly, the announcement inspired a wave of immediate backlash around Hollywood.
Chris Evans called it “awful” and “shameful,” and Elijah Wood said, simply, “NOPE.” But it turns out the intense reaction was surprising to at least one person: Magic City’s Anton Ernst, the Finding Jack director.
Ernst told the Hollywood Reporter in a new interview that he’s gotten “positive feedback” about the movie and that the Dean estate has been “supportive,” saying it will inspire “a whole new generation of filmgoers to be aware of James Dean.” He didn’t see the overwhelming negativity coming. Per the Reporter:
Ernst spoke with The Hollywood Reporter about the criticisms on social media, saying he was “saddened” and “confused” over the overwhelmingly negative comments. “We don’t really understand it. We never intended for this to be a marketing gimmick,” he said.
He also brought up Carrie Fisher’s appearance in the new Star Wars as an example of a way this posthumous CGI work can be done well, apparently missing the difference between honoring Fisher’s legacy in a role she was already scheduled to play and plopping James Dean in some random war movie half a century after his death.
When discussing whether resurrecting Dean digitally crosses a line with regards to posthumous casting, Ernst explained, “Anyone that is brought back to life – you have to respect them.” He noted Fisher’s posthumous appearances in the Star Wars franchise, saying that if the actress had expressed never wanting to be in a film after her death, or if her legacy or that of the franchise could be “tarnished” because of her casting, “then that should be a line.”
“I think the line should be … you must always honor the deceased’s wishes and try to act in a way that is honorable and full of dignity,” Ernst said.
Again, this is extremely different, since Dean could never have stated he didn’t want to appear in a film after his death because, uh, how would he have imagined that was even a possibility-but whatever. Finding Jack is still headed into production with an expected release on November 11, 2020, whether we like it or not.
Post $content must be a json string like this (the following keys are just examples, can be any word and number of words):
{“short”: “news length shorts…”, “medium”: “news length medium…”, “large”: “news length large…”}
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Apple may be making major changes to some of its iPhone sizes next year
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Last week, news broke that James Dean will star in a new movie-64 years after his death. A production company called Magic City got the rights to Dean’s image from the late actor’s estate and plans to bring him to the silver screen again thanks to the wonder (or terror) of CGI. Now, Dean, or the digitally resurrected version of Dean or whatever, will play the second lead in a Vietnam War movie called Finding Jack, with a living actor standing in as his voice.
Unsurprisingly, the announcement inspired a wave of immediate backlash around Hollywood.
Chris Evans called it “awful” and “shameful,” and Elijah Wood said, simply, “NOPE.” But it turns out the intense reaction was surprising to at least one person: Magic City’s Anton Ernst, the Finding Jack director.
Ernst told the Hollywood Reporter in a new interview that he’s gotten “positive feedback” about the movie and that the Dean estate has been “supportive,” saying it will inspire “a whole new generation of filmgoers to be aware of James Dean.” He didn’t see the overwhelming negativity coming. Per the Reporter:
Ernst spoke with The Hollywood Reporter about the criticisms on social media, saying he was “saddened” and “confused” over the overwhelmingly negative comments. “We don’t really understand it. We never intended for this to be a marketing gimmick,” he said.
He also brought up Carrie Fisher’s appearance in the new Star Wars as an example of a way this posthumous CGI work can be done well, apparently missing the difference between honoring Fisher’s legacy in a role she was already scheduled to play and plopping James Dean in some random war movie half a century after his death.
When discussing whether resurrecting Dean digitally crosses a line with regards to posthumous casting, Ernst explained, “Anyone that is brought back to life – you have to respect them.” He noted Fisher’s posthumous appearances in the Star Wars franchise, saying that if the actress had expressed never wanting to be in a film after her death, or if her legacy or that of the franchise could be “tarnished” because of her casting, “then that should be a line.”
“I think the line should be … you must always honor the deceased’s wishes and try to act in a way that is honorable and full of dignity,” Ernst said.
Again, this is extremely different, since Dean could never have stated he didn’t want to appear in a film after his death because, uh, how would he have imagined that was even a possibility-but whatever. Finding Jack is still headed into production with an expected release on November 11, 2020, whether we like it or not.
Post $content must be a json string like this (the following keys are just examples, can be any word and number of words):
{“short”: “news length shorts…”, “medium”: “news length medium…”, “large”: “news length large…”}